Before we arrived in Philly, Kate had us map out the coordinates as we were finalizing the design, which meant that when we started measuring it out in the parking lot, we knew where everything had to be. She had a depth of experience with this type of work, and was fully prepared. ![]() First off, we could not have done this mural without Kate Jacobi, our project manager extraordinaire. Jessie: We thought the process was going to be crazy and overwhelming because of the six day time limit to prime, paint, and seal the area, but the whole project was so fluid. Walk us through that process of mural construction. When designing Summer Kaleidoscope we created more intentional moments of interaction, like chess boards, a maze, and an area for water play.Ĭarly: The two of you and a team of 20 artists created Summer Kaleidoscope, which covers 33,000 square feet, over a six day period. We focus on fluid movement of shapes that might imply pathways and constant dynamic transition that keeps the painting interesting from every angle. It becomes interactive and this element influences our design process more than anything else. Every bit of the painting will be intimately experienced by those who walk on top of it. Jessie: In designing a mural for the ground, the rules of composition don’t necessarily apply because the artwork will rarely be seen as a whole. How does the differing space influence the conception and creation of the mural? Our work is always really bright and playful so, of course, we used a ton of colors.Ĭarly: We often think of murals as existing on walls, but Summer Kaleidoscopeappears on the ground. Our design is symmetrical and doesn’t follow the kaleidoscope formula exactly, but when walking through the mural, many of the lines meet up and there are several central points. ![]() ![]() When looking through a kaleidoscope, the repeating image looks more intricate than it really is, so we based our design off of that concept of repetition and intricacy grounded in simplicity. We started looking at kaleidoscopic images, and the ways that the image fractures geometrically resonated deeply with us. After visiting the site and talking with Mural Arts Philadelphia and Parks and Recreation Department about the interactive nature of the project, we wanted to make the mural functional but cohesive. Jessie: When working on any project, Katey and I like to visit the space before sitting down to design something for it, as we are incredibly influenced by the surrounding architecture and visual landmarks of each place. What were your inspirations for the design of this project? Carly: The vibrancy of Summer Kaleidoscope is transforming the public space at The Oval.
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